| Types of Wood for Carving |
|
Choosing the appropriate wood for carving can depend on many factors. Is
the wood soft enough to cut easily with a chip-carving knife, or do you
need a chisel and mallet? Will it have a natural finish that shows the
grain, or will it be painted?
Some carvers choose interestingly shaped sticks or
logs. A freshly cut log can present problems since it is still filled with
a great deal of moisture. If the log dries too quickly it may check
(crack) badly. It is best to let the log air dry for an extended period of
time until it reaches an acceptable level of moisture content to prevent
unwanted cracking.
The alternative is to purchase kiln-dried wood that has
been cut into boards. If a large block is required, the boards can be
milled with a planer and joiner to give flat surfaces that can be glued
together. An advantage of gluing is that large, unusual shapes can be
created, unlike the confining shape of a log.
For carving small, hand-held craft objects, such as
duck or shorebird decoys, characture figures, and chip carving (decorative
designs on flat surfaces like the sides of jewelry boxes), basswood is an
excellent choice. It is soft and easy to carve, the close grain holds
small carved detail, there are few knots or blemishes, and it is stable
when dry. However, basswood's softness makes it difficult to apply a stain
evenly an carved surfaces or attain a glossy finish. Most basswood
carvings are painted.
For sculpture with a natural wood finish, walnut,
mahogany, cherry, or butternut provide rich color with an attractive grain
pattern. Butternut is very soft and the easiest to carve with hand tools.
Walnut, mahogany, and cherry are rich in color, moderately difficult to
carve because of the dense grain, and they take finished well. Gouges and
a mallet will be needed for these woods. |
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The Sculpture Studio does not sell wood.
These prices are from a local
hardwood supplier in Buffalo, NY. Prices vary greatly. These are included
only to give an idea of the relative difference in price.
(Board foot : 12"x12"x1") |
|
Type |
Sample |
Characteristics |
Ease of
Carving |
Grain |
Price
(per board foot) |
| Basswood |
 |
Cream colored,
easy to carve, excellent for whittling and painted sculpture.
|
Easy |
Fine-Medium |
$3.85
(thickness 8/4") |
| Butternut |
 |
Light brown,
distinct grain pattern, good for natural-finished sculpture, soft (dents
easily), very easy to carve, quickly dulls tools. |
Easy |
Course |
$5.20 (thickness 4/4") |
|
Cherry |
 |
Reddish brown,
wavy grain can be difficult to carve, excellent for natural-finish
sculpture. |
Very hard |
Fine |
$6.30 (thickness 8/4") |
| Mahogany |
 |
Dark reddish
brown, excellent choice for natural finish sculpture.
|
Medium |
Medium |
$6.90 (thickness
8/4") |
Maple
(Sugar) |
 |
Creamy, very hard
(difficult to carve), finishes well.
|
Very hard |
Fine |
$5.95 (thickness
8/4") |
Oak
(White) |
 |
Light yellowish
brown, very hard when kiln dried (difficult to carve, finishes well
|
Very hard |
Medium-
Course |
$4.75 (thickness
8/4") |
Pine
(Sugar,
White) |
 |
Aromatic, cream
colored, soft, good for whittling, the prominent growth rings may be
difficult to cut through |
Easy |
Medium |
$1.95 (thickness
4/4") |
Walnut
(Black) |
 |
Dark brown,
excellent for natural-finish sculpture, finishes well
|
Hard |
Medium |
$6.55 (thickness
8/4") |
|